In Chicago’s Hyde Park neighborhood Saul Bellow wrote, taught and experienced the vicissitudes of life for many decades. Eventually Hyde Park took an emotional toll on him, as he wrote, at age eighty-two, “the things that bugged me, grieved me, about living in Hyde Park was to pass the houses where my late friends once lived, and even the windows from which I myself used to look out more than fifty years ago. The daily melancholy of passing these places was among the things that drove me East.”
Now fourteen years after his death, Hyde Park is finally paying homage to Bellow. Playing at the Court Theater and ending this week after a run of a month, is a fine dramatic adaptation of Bellow’s third novel, The Adventures of Augie March. There is also a fascinating special exhibit focusing on Bellow and Augie at the Regenstein Library on the University of Chicago campus, where Bellow’s archives are stored. Included in this exhibit are also interesting personal memorabilia such as Saul’s naturalization papers and passport. It runs through June 15.
Bellow is the only American writer to have won the Nobel Prize, the Pulitzer Prize and three National Book Awards. Yet, over the years, he has become somewhat of a literary persona non grata due to a new generation of academics and critics who perceive his writing and personal life as reactionary and misogynistic. He has been taken off most university undergraduate and graduate American literature curricula. He has fallen victim to the very political correctness that he abhorred.
But like him or not, Bellow’s true genius rang true that night in Hyde Park as we listened to his words orated by the actors in Augie. Hyde Park’s prodigal son returned home, at least for a little while.