Celebrating Chicago Writers

Despite it being a frigid Chicago winter’s night, a full-house assembled at The Book Cellar this past Saturday to participate in the annual Chicago Writers Association Book of the Year Awards. My friend Randy Richardson and his fellow board members always put on a great event, and this year was no exception. All four winners were present, and each read from her prize-winning book. It was nice to see so many of the authors who were honorable mentions and finalists also in attendance. The winners in the four categories were:
Traditional Fiction: The Virginity of Famous Men by Christine Sneed
Indie Fiction: Out the Door! By M. L. Collins
Traditional Nonfiction: Algren: A Life by Mary Wisniewski
Indie Nonfiction: Of This Much I’m Sure by Nadine Kennedy Johnstone
The winner of the CWA’s “Spirit Award” was Suzy Takacs, the owner of The Book Cellar, for being a “tireless advocate for Chicago literature and the people who create it.”

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An Outstanding New Biography of Nelson Algren

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A few years ago, I saw Mary Wisniewski speak at one of those annual Nelson Algren Committee birthday celebrations that are nostalgically held at various locations in the old Polonia area of Chicago. An investigative reporter at Reuters at that time, and now a Chicago Tribune reporter, she spoke enthusiastically about a new Algren biography that she was working on. Now, Algren: A Life has just been published by Chicago Review Press, and it is the most definite biographical work on Algren since Bettina Drew’s Nelson Algren: A Life on the Wild Side came out in 1989.
I thought Drew’s biography lacked a genuine feel of Chicago’s people and neighborhoods. It was well written and informative, but you just knew that the author was an outsider. Not so with Mary Wisniewski, whose father Mitchell was raised in Chicago’s Polonia of the 1940s and the 1950s and who is quoted in her book responding to the Polish characters in Algren’s Never Come Morning as saying “I didn’t know anybody like that” and “Those people are bums.”
In fact, Algren was more of a caricaturist and myth-maker in his fiction than a realist. He was a creative genius in so many ways, yet his novels lacked coherent plots, often leaving his readers unsatisfied at the end. There is no doubt that Algren wrote with passion and commitment, but many times his stories just seemed to break down. Yet his prose essay Chicago: City on the Make remains one of the greatest books ever written about Chicago.
Wisniewski’s biography of Algren is truly a labor of love, written with great respect of the man, yet exposing his frailties and flaws. As a truly talented investigative reporter, she knew where to find local sources to bring out new insights into the already well- charted waters of Algren’s affair with Simone de Beauvoir, his financially disastrous dealings with Hollywood, and his addictive personality.
I wish that Wisniewski would have delved into Algren’s Jewish identity (or lack of) in more detail. How did it feel like for Algren to be a Jewish kid in his formative years growing up in a Catholic neighborhood on Chicago’s South Side? How did the adult Algren respond to the Holocaust and the establishment of the State of Israel?
Algren: A Life is one of the best biographies that I have read recently. Wisniewski really writes well and her research is presented in a crisp and most readable way. I highly recommend this book.